{"id":5334,"date":"2024-10-04T07:39:40","date_gmt":"2024-10-04T07:39:40","guid":{"rendered":"https:\/\/imming.mysites.io\/otto-de-kat\/"},"modified":"2024-10-29T09:00:05","modified_gmt":"2024-10-29T09:00:05","slug":"otto-de-kat","status":"publish","type":"post","link":"https:\/\/imminglogistics.nl\/en\/otto-de-kat\/","title":{"rendered":"Museum JAN"},"content":{"rendered":"\t\t
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Museum JAN – Otto B. de Kat and contemporaries<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Otto B. de Kat and contemporaries - Jeanne Bieruma Oosting, Wim Oepts, Kees Verwey and others<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Museum JAN<\/a> | October 4, 2024 – April 6, 2025<\/p>


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In cooperation with Museum JAN, we proudly provided transportation and installation of the impressive exhibition “Otto B. de Kat and contemporaries.” This exhibition brings together a survey of the painting of Otto B. de Kat with works by his contemporaries, including Jeanne Bieruma Oosting, Johan Buning and Kees Verwey. The exhibition focuses on how De Kat, along with these artists, captured “the soul of things” in their work, and places his oeuvre in a broader art historical context.<\/p>


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The work of De Kat, known for its understated and spirited approach, requires careful handling, which our team executed with great attention. To safely transport the paintings, including De Kat’s iconic polders and still lifes, and the work of his contemporaries, we used custom art packaging and specialized handling.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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About Otto B. de Kat<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Otto B. de Kat (1907-1995) was a painter always distinguished by his thoughtful and considered approach. After studying at the School of Arts and Crafts in Haarlem and the Rijksacademie voor Beeldende Kunsten in Amsterdam, he left for Paris in the late 1920s to encounter modernism. Yet he remained true to his own vision and was inspired only by the movements that suited him.<\/p>

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During his stay in Uccle, Belgium, near Brussels, from 1937 to 1940, he worked quietly on his oeuvre, far from the frenzy of the art world. He processed the impressions he gained while traveling or in his immediate surroundings in his studio into subdued and layered paintings, often with muted, familiar colors.<\/p>

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Cat deliberately skipped the wild painting movement of Cobra and the conceptual art movements after the war. His work was strongly influenced by French masters such as Pierre Bonnard and \u00c9douard Vuillard, and later by Nicolas de Sta\u00ebl. De Kat steadily built a body of work that combined French subtlety with Dutch modesty. The serene polders of North Holland, which he painted in the last phase of his life, are widely considered his best works and reflect the timeless and inspired power that makes his painting so unique.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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